Damn Hard Work: Christmas, 1953
I’d worked three days, writing the essay. Three days of reflection on the ways in which the people in this family picture had shaped me. Yesterday, I shared the draft with my husband, as I always do—and he basically said (though trying to be kind), “Who cares? So—it’s your family. I can’t see what the point is.” I can’t say that his response surprised me. Bruce is a writer who worked as an editor for a literary journal. He speaks aloud what my own writerly instincts are whispering. “You should write this for the New Yorker,” he said. “That audience.” Well, I figured I should just bury the corpse and be done with it. “Okay,” I said, “I’m going to go out and lie in the street now and wait for a car to run over me.” I was laughing, painfully. He was laughing, having been in the same position many times, and at my hands. It’s morning now, and I know exactly why I’m writing this essay. It’s about family, yes—and, because of what I know about my own family’s history, it’s about immigrants, and poverty, and the damn hard work of building a life—the damn hard work, too, of writing something worth reading. …
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