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Heaven on Earth: Who Needs It?

Heaven on Earth: Who Needs It?

I need this picture. Do you? I need Heaven on earth. The photo, which I took earlier this fall, captures my most peaceful experience of the last twelve months. It’s been a hard year. My mom passed suddenly last November, when I was already feeling for myself the woes of growing older. Then there’s the daily news. Reading it, watching it, can make me want to shut down. I know I’m not alone in the anxiety I feel—but I suspect I may be alone in my habit of speaking it out loud. Heaven on earth? Is it possible? I’m a down-to-earth sort, and I know it’s on us to bring that sort of peace into this world—that idea of our hands, God’s work. I see it, especially, as being on women. We’re understood, in collective lore, to be caregivers. While I know with every cell of my body that “caregiver” is too narrow a definition, I don’t see it as being generally untrue.

Signs and Portents: A Search for Meaning

Signs and Portents: A Search for Meaning

The man in this photo is my grandfather. He’s just lit a fire in the sauna. You’ll notice the sauna has no chimney—it’s a savusauna, a “smoke sauna.” The smoke from the stove swirls around the building’s interior, then out the door. My family is Finnish by descent. I’ve been doing a lot of meditating lately on the importance to us of “sauna” and “the family farm.” My grandparents bought the land in the early 1920s. My mother was born there, and she and my dad eventually owned it for forty years. After Dad died, Mom made a hard decision—to sell the farm and relocate close to me. The whole extended family felt wretched about her selling, but we were accepting of reality. I was the one who walked the house a last time. It felt symbolic, a thing to be done with reverence, putting that key into the lock for the final time. Losing the farm was a family trauma, and of course, the mind needs structure and meaning to deal with such things—and equally of course, with structure and meaning, things that happen become signs and portents.

Study Hall:  On Love, Part III

Study Hall: On Love, Part III

My mother passed away in November, and ever since, I’ve been writing about her and my dad, who passed nine years ago. This is the third such blog post in a row. These last months, I’ve been writing in threes. I expanded one of my poems into three parts and called it a triptych. Then I put three thematically linked short stories into a chapbook—sub-titled that too, “A Triptych.” The number three has always seemed magical to me. Now, I’m aware that most readers will scroll on by when a writer is talking literary-crap, especially when she gets metaphysical. But this isn’t about writing in threes. It’s an apology to those who follow my blog, for writing yet another piece about my mom and dad. If you accept the apology and stay with me, you’ll get to meet my parents when they were young. In fact, you and I can sit behind my mom in her senior year study hall! We’ll think about love, about the people who raised us. Even when we’re adults, we don’t really know them. In those familiar people are (or were) people we never met. In them, there were lovers, people seeking and growing in intimacy. That part of them, we can’t quite imagine.

Donna Salli - Seated - Color

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